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Is it time to go back to human-centred design? TF Chan on Collect 2026

Monocle on Design
In a world increasingly dominated by touchscreens and algorithmic convenience, this episode explores a quiet but powerful counter-movement: the return of intentionality, tactility, and human craft to the objects we live with—and drive.
The podcast examines how physical controls in cars signal a broader cultural shift toward meaningful interaction over digital abstraction. It then turns to Collect 2026, London’s premier contemporary craft fair, where material intelligence, longevity, and maker narratives take center stage. Craft is framed not as nostalgia but as an active, ethical practice—sustaining communities, resisting disposability, and embedding memory in everyday objects. Collectible design emerges as deeply personal and political: choices about what we own reflect values around sustainability, transparency, and human dignity. The episode highlights diverse global practices—from Japanese lacquer to Guinean ceramics—and underscores how investing in craft infrastructure supports both ecological resilience and social well-being. Ultimately, it argues that choosing fewer, better things isn’t austerity—it’s alignment: with our hands, our histories, and our shared future.
07:29
07:29
Collect 2026 showcases 80% of works produced in the past five years, emphasizing material intelligence and the human hand
13:22
13:22
Crafted objects can have a long useful life, offer sustainability, and carry personal meaning
22:05
22:05
Choosing craft over mass industrial design is a political act supporting human well-being and sustaining artisanal ecosystems
25:03
25:03
Craft infrastructure is an antidote to fast-paced consumption