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031 - THE GRADUATE (1967)

The Criterion Connection
In this episode of The Criterion Connection, hosts Ian and McKenzie delve into Mike Nichols' iconic film, THE GRADUATE. They explore its cultural impact, the performances, and the direction, offering insights into the post-grad experience captured in the movie.
The podcast centers on a detailed analysis of THE GRADUATE, highlighting Dustin Hoffman's portrayal of Benjamin and Anne Bancroft's character, Mrs. Robinson. The hosts appreciate the film's innovative camera work and its depiction of post-graduation anxiety and depression, despite critiques about repetitive music. They compare it to other films like 'Harold and Maude', finding Harold more relatable than Benjamin. While McKenzie acknowledges some flaws, such as Mrs. Robinson's limited screen time, both hosts admire the film's style and themes of generational disillusionment. Their discussion reflects on the film's enduring relevance and raises questions about its ending. Additionally, they share their excitement for the upcoming review of Mississippi Masala, noting how social media influences their film selections.
15:02
15:02
The Cow Who Sang a Song into the Future is one of the most important movies of the year.
44:04
44:04
Mike Nichols uses the camera to inhabit characters' worlds, like following Benjamin at a party and framing him by Mrs. Robinson's legs.
1:03:39
1:03:39
Ian prefers Harold from 'Harold and Maude' over Ben in 'The Graduate'
1:12:11
1:12:11
Mississippi Masala is now available on the Criterion Collection