Van Noten explains his choice of Venice for the foundation, detailing the history of the Palazzo Pisani Moretta and his acquisition of a former studio for restoration. The debut exhibition, 'The Only True Protest Is Beauty,' is curated from memory, mixing established and emerging artists to create a cohesive narrative that avoids nostalgia. He emphasizes the importance of craftsmanship, including modern tools and improvisation, and reflects on the emotional impact of the exhibition on visitors. Van Noten also discusses his upbringing in a family of retailers and tailors, his time at the Antwerp Royal Academy, and the creative energy of the Antwerp Six. He contrasts past fashion revolutions with the present and shares plans for his foundation, focusing on curiosity and hospitality. Additionally, he reflects on formative trips to Japan, working with Indian artisans to preserve embroidery techniques, and how his garden became a source of patience and acceptance for his career.