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BORDEN: A New Musical *ACT 2* (with Cavan Hendron & Aaron Roitman)

Ghost Gossip

2025/12/08
Ghost Gossip

Ghost Gossip

2025/12/08
In this gripping interview, co-writers Cavan K. Hendron and Aaron Roitman unveil the haunting, intimate vision behind *Borden: A New Musical*—a reimagining of the Lizzie Borden story told entirely through the eyes of her sister, Emma.
The musical emerges from deep, immersive research—including an overnight stay at the historic Lizzie Borden House in Fall River—where visceral paranormal experiences and archival discoveries shaped its tone and authenticity. Rather than solving the 1892 murders, the show leans into ambiguity, using Emma’s perspective to explore how rumor, gendered scrutiny, and grief distort truth. The writers ground their work in rigorous historical scholarship—especially Cara Robertson’s definitive account—while deliberately resisting sensationalism or fictionalized victimhood. They contrast their evidence-based approach with dramatized true-crime adaptations, honoring real people behind the myth. Architectural details, color symbolism (like Lizzie’s documented preference for pink over assumed blue), and the emotional weight of physical spaces—Maplecroft, Belvoir Winery, the Borden House—anchor the storytelling. Ultimately, the project reflects how personal connection, creative courage, and imperfect beginnings converge to transform trauma, history, and haunting into resonant theater.
03:14
03:14
Staying overnight at the Lizzie Borden House made the crime feel more real and human
05:42
05:42
The show tells the story through Emma's eyes but focuses more on her journey, psyche, and emotions like paranoia and doubt
14:30
14:30
Ghost-hunting equipment captured intelligent responses to specific questions
22:30
22:30
Lizzie wore pink on the murder morning, contradicting her well-documented preference for blue
27:44
27:44
Ryan Murphy's 'Monster: The Ed Gein' adds false victims and relationships, undermining historical accuracy
33:15
33:15
Elizabeth Jordan was the only woman reporter covering the actual trial
43:36
43:36
The binder had been shifted to the back page, which they took as a sign of approval